Richter Plays Scriabin Audio CD (August 22, 1995) Number of Discs: 1 Label: Music & Arts Program Track Listings 1. Preludes (24) for piano, Op. 11: No 02 in A 2. Preludes (24) for piano, Op. 11: No 03 in G 3. Preludes (24) for piano, Op. 11: No 05 in D 4. Preludes (24) for piano, Op. 11: No 09 in E 5. Preludes (24) for piano, Op. 11: No 10 in C sharp 6. Preludes (24) for piano, Op. 11: No 11 in B 7. Preludes (24) for piano, Op. 11: No 12 in G sharp 8. Preludes (24) for piano, Op. 11: No 15 in D flat 9. Preludes (24) for piano, Op. 11: No 16 in B flat 10. Preludes (24) for piano, Op. 11: No 17 in A flat 11. Preludes (24) for piano, Op. 11: No 18 in F 12. Preludes (24) for piano, Op. 11: No 24 in D 13. Preludes (6) for piano, Op. 13: No 01 in C 14. Preludes (6) for piano, Op. 13: No 04 in E 15. Preludes (4) for piano, Op. 37: No 01 in B flat 16. Preludes (4) for piano, Op. 37: No 02 in F sharp 17. Preludes (4) for piano, Op. 37: No 03 in B 18. Preludes (4) for piano, Op. 37: No 04 in G 19. Preludes (4) for piano, Op. 39: No 03 in G 20. Preludes (4) for piano, Op. 39: No 04 in A flat 21. Prelude for piano, Op. 59/2 22. Preludes (5) for piano, Op. 74: No 01 'Douloureux' 23. Preludes (5) for piano, Op. 74: No 03 "Très lent, contemplatif" 24. Preludes (5) for piano, Op. 74: No 04 "Allegro drammatico" 25. Piano Sonata No. 2 in G sharp minor ('Sonata-Fantasy'), Op. 19: Andante 26. Piano Sonata No. 2 in G sharp minor ('Sonata-Fantasy'), Op. 19: Presto 27. Etudes (8) for piano, Op. 42: No 02 in F sharp 28. Etudes (8) for piano, Op. 42: No 03 in F sharp 29. Etudes (8) for piano, Op. 42: No 04 in F sharp 30. Etudes (8) for piano, Op. 42: No 05 in C sharp 31. Etudes (8) for piano, Op. 42: No 06 in D flat 32. Etudes (8) for piano, Op. 42: No 08 in E flat 33. Piano Sonata No. 5 in F sharp major, Op. 53 34. Piano Sonata No. 9 ('Black Mass'), Op. 68 35. Poeme for piano in C major, Op. 52/1 This all-Scriabin recital recorded live in Warsaw in October 1972 captures Sviatoslav Richter in staggering form. The engineering is not especially alluring (for incisive sound, go to his 1972 Prague Scriabin 2nd and 5th on Praga), but Richter's insidious legato and crew-cut rhythm invariably pull you into both the pianist's and the composer's sound world. A must for Richter and Scriabin buffs alike. --Jed Distler